Who we work with

It helps less than it looks. A viewer never asks whether the crew had filmed a care home or a car park before; they notice whether the story holds them, whether the people on camera seem at ease, and whether the sound is clean. Those are the same skills in every sector, and they are what you are really buying.

ParkIt is a good example. Its first case study with us was at Dublin Airport, and ParkIt came back for Manchester Airport and then Brisbane Airport. Judge us on the films, then ask us how we would tell your story.

• ParkIt: three airports, three case studies

We start by listening. On a free 30-minute call we ask about your audience, your deadline and the words your people use. Then you sit down with your producer and director to shape the idea and the script, so the people who know your world shape the film from the start.

Before the shoot your producer sends one shared page with the call sheet, shot list, script and logistics, and we send interview questions in advance. Every cut arrives on Vimeo, where your team comments at the exact second they want changed, so your experts can correct a detail without a meeting.

The craft, and the paperwork. Interviews where nobody feels a camera is shoved in their face, captions on every film so it works with the sound off, and an edit that gets to the point. The same team filmed Special Olympics Ireland’s athletes, Deloitte’s partners and a course film in five languages for DCU.

For public bodies, universities and charities, the buying side carries over too. We hold a current tax clearance certificate, €6.5 million public liability and €13 million employer’s liability cover, and we invoice against your purchase order. We’ve won tenders with the Irish Universities Association, the Department of Education and Special Olympics Ireland.

• How public bodies buy from us